As I've said before, I love the Thunderbolts team, so much so that we had to do a Thunderbolts REDUX week to make up for the last one. Thunderbolts was actually one of the few comics I collected religiously from issue 1, and it's definitely the comic I collected the longest. From the Busiek/Bagley era, to the Ellis/Deodato run all the way up to my personal favourite run by Jeff Parker, Kev Walker & Ireland's own Declan Shalvey. I've grown up with these characters so this week was a big deal for me. Songbird was the obvious choice because she's one of the original members back when the T'Bolts were villains posing as heroes. But she quickly got the hero bug and went legit and it's a crime that she has yet to make it to Avengers status. Soon though Melissa will get bumped up to the big leagues and Songbird fans like myself everywhere will rejoice.
And in all seriousness if you haven't checked out Jeff Parker's run on T'Bolts yet then get on that shit because that's the run that brought me back into the world of comics.
I also want to thank Jordie Bellaire and Neil Delaney for giving me some much needed tips on colouring. I normally suck at that sort of stuff but I'm really happy with how this turned out.
Really sorry, guys, this week has been absolutely CRAZY between flights, family visits, a MILLION things to work on, and other shit... Well, long story short, I actually forgot about the blog!
So, just to try and patch it up, heres smthing I ALWAYS try to avoid: a recycled old piece!
It's a classic-looking Luke Cage pin-up done as a warm-up a LONG time ago.. better than nothing, I hope!
A low-res pic. A high-res will replace hopefully followed by a colour version.
I love the Thunderbolts team. Thunderbolts was actually one of the few comics I collected religiously from issue 1, and it's definitely the comic I collected the longest. From the Busiek/Bagley era, to the Ellis/Deodato run all the way up to my personal favourite run by Jeff Parker, Kev Walker & Ireland's own Declan Shalvey. I've grown up with these characters so this week was a big deal for me. Songbird was the obvious choice because she's one of the original members back when the T'Bolts were villains posing as heroes. But she quickly got the hero bug and went legit and it's a crime that she has yet to make it to Avengers status. Soon though Melissa will get bumped up to the big leagues and Songbird fans like myself everywhere will rejoice.
And in all seriousness if you haven't checked out Jeff Parker's run on T'Bolts yet then get on that shit because that's the run that brought me back into the world of comics.
"Rorschach's Journal October 12th, 1985: Dog carcass in alley this-morning, tire tread on burst stomach. This city is afraid of me. I have seen its true face." These are the famous opening words of probably the single most important sequential artwork story produced in the latter half of the twentieth century.
Tonight a comedian died in New York.
Watchmen by Alan Moore and Dave Gibbons is as far as I'm concerned, the finest piece of comic book story telling in print on this planet. Watchmen is set in 1985, in an alternate history United States where costumed adventurers
are real and the country is edging closer to a nuclear war with the
Soviet Union (the Doomsday Clock is at five minutes to midnight). It
tells the story of a group of past and present superheroes and the
events surrounding the mysterious murder of one of their own. Watchmen
depicts superheroes as real people who must confront ethical and
personal issues, who struggle with neuroses and failings, and who (with one notable exception) lack anything recognizable as super powers. Watchmen's
conventional superhero archetype, combined with its innovative
adaptation of cinematic techniques and heavy use of symbolism,
multi-layered dialogue, and meta-fiction, has influenced both comics and
film.
Rorschach By Dave Gibbons.
The story begins with the murder of one such former hero (though I use the word loosely): The Comedian. This attracts the attention of one of his former team-mates Rorschach, a character who is the embodiment of faceless vigilante justice. Rorschach starts an investigation into what he believes is a "Cape Killer", an investigation which will lead him not only to his former retired team-mates but into a conspiracy to bring about a new world order through the atomic fire of all out nuclear war between the global superpower states. The world Watchmen inhabits is often what I feel allowed the book to set itself apart from other superhero stories. It is a world that is given a sense of seriousness and grounded reality through the inclusion of real life historical events, and how the characters of this world fit into those events such as the Kennedy Assassination and the Vietnam War. This allows the reader to be truly enveloped by the story as you get a sense that this could actually have happened.
Publication.
Originally published by DC Comics as a monthly limited series from 1986
to 1987, it was later republished as a trade paperback, which
popularized the "graphic novel" format. To date, Watchmen remains the only graphic novel to win a Hugo Award, and is also the only graphic novel to appear on Time magazine's 2005 list of "the 100 best English-language novels from 1923 to the present".
Alan Moore, who wanted to transcend the perceptions of the comic book medium as something juvenile, created Watchmen as an attempt to make "a superhero Moby-Dick; something that had that sort of weight, that sort of density." Moore also named William S. Burroughs as one of his "main influences" during the conception of Watchmen and admired Burroughs' use of "repeated symbols that would become laden with meaning" in Burroughs's one and only comic strip, The Unspeakable Mr. Hart, which appeared in the British underground magazine Cyclops.
The Watchmen By Dave Gibbons.
Moore and Gibbons originally conceived of a story that would take
"familiar old-fashioned superheroes into a completely new realm."
Initially, Moore looked towards the defunct MLJ Comics line of
superheroes for inspiration. "I'd just started thinking about using the
MLJ characters — the Archie super-heroes - just because they weren't
being published at that time, and for all I knew, they might've been up
for grabs. The initial concept would've had the 1960s-'70s rather lame
version of the Shield
being found dead in the harbour, and then you'd probably have various
other characters, including Jack Kirby's Private Strong, being drafted
back in, and a murder mystery unfolding. I suppose I was just thinking,
'That'd be a good way to start a comic book: have a famous superhero
found dead.' As the mystery unravelled, we would be led deeper and deeper
into the real heart of this superhero's world, and shown a reality
that was very different to the general public image of the superhero.
So, that was the idea."
The Charton Comics Characters.
Dick Giordano, who had worked for Charlton Comics, suggested
using a cast of old Charlton characters that had recently been acquired
by DC. However, the Charlton heroes were being slowly integrated into
the normal DC continuity. Because Moore and Gibbons wanted to do a
serious storyline in which some of the newly acquired characters would
die and the world would be drastically altered by story's end, using the
Charlton heroes was not feasible. Giordano suggested that Moore and
Gibbons simply start from scratch and create their own characters. So
while certain characters in Watchmen are loosely based upon the Charlton characters (such as Dr. Manhattan, who was inspired by Captain Atom; Rorschach, who was based upon the Question; and Nite Owl, who was loosely based on the Blue Beetle as well as Batman), Moore decided to create characters that ultimately would only casually resemble their Charlton counterparts. Originally, Moore and Gibbons had enough plot for only six issues, so they compensated "by
interspersing the more plot-driven issues with issues that gave kind of
a biographical portrait of one of the main characters." During the process, Gibbons had a great deal of autonomy in developing the visual look of Watchmen and inserted details that Moore admits he did not notice until later, as Watchmen was written to be read and fully understood only after several readings.
Reception Upon Release.
Watchmen was published in single-issue form over the course of
1986 and 1987. The miniseries was a commercial success, and its sales
helped DC Comics briefly overtake its competitor Marvel Comics in the
comic book direct market. Watchmen also received several awards spanning different categories and genres including: Kirby Awards for Best Finite Series, Best New Series, Best Writer, and Best Writer/Artist; Eisner Awards for Best Finite Series, Best Graphic Album, Best Writer, and Best Writer/Artist; and a Hugo Award for Other Forms.
Watchmen received praise from those working within the
comic book industry, as well as external reviewers, for its avant-garde
portrayal of the traditional superhero. Watchmen became known as a
novel which allowed the comic book to be recognized as "great art",
rather than a lowbrow or unsophisticated genre. Time magazine, which noted that the series was "by common assent the best of breed" of the new wave of comics published at the time, praised Watchmen as "a
superlative feat of imagination, combining sci-fi, political satire,
knowing evocations of comics past and bold re-workings of current graphic
formats into a dystopian mystery story." Don Markstein of Toonopedia wrote that, "What The Maltese Falcon did for detective stories and Shane did for westerns, Watchmen did for superheroes. It transcended its origins in what was previously considered a lowbrow form of fiction."
Rorschach's Mask.
Watchmen's status as a seminal book in the comic book
field was recently boosted when acclaimed comic book author Stan Lee,
responsible for creating the majority of Marvel Comics' most successful
characters, called it his "all-time favourite comic book outside of Marvel." A review by "Revolution SF" goes on to say that Watchmen is "one of the most important stories in comic book history". Moore himself acknowledged that the plot closely resembles an Outer Limits episode called "The Architects of Fear".
According to him, while he was around issue 10, he came across a guide
to cult television that featured this episode and was surprised by its
similarity to his already planned ending. A belated nod to "The Architects of Fear" is made near the end of Watchmen . He also accepted responsibility for the proliferation of "dark" comic stories, featuring classic characters, that followed Watchmen. In his review of the Absolute edition of the collection, Dave Itzkoff of The New York Times wrote that the dark legacy of Watchmen, "one
that Moore almost certainly never intended, whose DNA is encoded in the
increasingly black inks and bleak storylines that have become the
essential elements of the contemporary superhero comic book," is "a
domain he has largely ceded to writers and artists who share his
fascination with brutality but not his interest in its consequences, his
eagerness to tear down old boundaries but not his drive to find new
ones".
Watchmen The Motion Picture
2009 - Watchmen - Movie Poster.
Watchmen is a 2009 film adaptation directed by Zack Snyder. Set in 1985, the film follows a group of costumed vigilantes as full-scale war threatens to break out between the United States and the Soviet Union. Feelings among fans were mixed on the film. I personally love the Ultimate Cut of the film which contains the comic within a comic, Tales of the Black Freighter reintegrated with the Directors Cut of the film.
The film is well cast with Jackie Earle Haley as Walter Kovacs (Rorschach), Billy Crudup as Jon Osterman (Dr. Manhattan), Jeffrey Dean Morgan as Eddie Blake (The Comedian), Patrick Wilson as Dan Dreiberg (Nite Owl II), Malin Akerman as Laurie Juspeczyk (Silk Spectre II), Matthew Goode as Adrian Veidt (Ozymandias), Carla Gugino as Sally Jupiter (Silk Spectre I) and Stephen McHattie as Hollis Mason (Nite Owl I).
Go watch it and judge for yourself. Though don't expect to see Alan Moore's name anywhere in the credits. He quite publicly distanced himself from any and all film adaptations of his written works.
Silk Spectre & Nite Owl
Before Watchmen - Prequel Comics 2012
Following months of rumours about a potential Watchmen follow-up
project, in February 2012 DC announced it was publishing seven prequel
limited series under the "Before Watchmen" banner: Rorschach, Minutemen, Dr. Manhattan, Comedian, Silk Spectre, Nite Owl, and Ozymandias. Among the creators involved are writers J. Michael Straczynski, Brian Azzarello, Darwyn Cooke, and Len Wein,
and artists Lee Bermejo, J. G. Jones, Adam Hughes, Andy Kubert, Joe
Kubert, and Amanda Conner. Each issue would feature an instalment of
the backup series "Curse of the Crimson Corsair", written by Len Wein and featuring art by original Watchmen colourist John Higgins,
and the project will conclude with a Before Watchmen: Epilogue
one-shot.
The Before Watchmen Promo Banner by Lee Bermago.
Gibbons stated, "The original series of WATCHMEN is the
complete story that Alan Moore and I wanted to tell. However, I
appreciate DC's reasons for this initiative and the wish of the artists
and writers involved to pay tribute to our work. May these new additions
have the success they desire."
Moore criticized the project, calling it "completely shameless",
and stated he was not interested in monetary compensation, but rather
“What I want is for this not to happen.”
I really enjoyed reading the series of prequels, though I did feel that as a whole the project could not live up to the original. Go read them and judge for yourselves
Watchmen - By Nerd Invasion
To those who don't know, this week's theme - Alan Moore & Dave Gibbon's Watchmen - was chosen by Nerd Invasion's friend Darrin O'Toole (writer of Tales from
the Void, Earthruler and countless others in the future), who was the lucky
winner of our recent Facebook draw. He even went so far as to provide us
with a Ozymandias piece himself. So without further ado here's Darrin's
contribution (and kickstarter) to Watchmen week.
Ozymandias - "I don't mind being the smartest man in the world, I just wish it wasn't this one".
Ozymandias by Darrin O'Toole.
Adrian Alexander Veidt, a.k.a. Ozymandias in the manner of Ramesses II, he is a modified version of the character Thunderbolt from Charlton Comics, and is a member of the Crimebusters. His name recalls the famous poem by Percy Bysshe Shelley, which takes as its theme the fleeting nature of empire.
Next up is Chris Duffy's contribution for Watchmen week
The Comedian - "Justice is coming to all of us".
The Comedian By Chris Duffy.
Edward Morgan Blake, better known to the public as The Comedian. He is one of the only masked adventurers (along with Captain Metropolis) to be a member of both the Minutemen and the Crimebusters,
and had been active for forty-five years through the aid of
government-sponsored activities and the press conjuring him into a
patriotic symbol of war and victory. Blake is a cigar-chomping,
gun-toting vigilante turned paramilitary agent. He is described
variously as "deliberately amoral" with a "practiced cynicism", meaning
that he usually has little regard for social conventions or human life.
Always in character as the Comedian, he describes the world as a
sadistic joke that only he understands, but in the end his practiced
cynicism is shattered when he discovers a plot that he regards as a
"practical joke" even he can't believe anyone would pull.
Next up is Luca Pizarri's contribution for Watchmen Week
Moloch The Mystic - "And for my next trick"
Moloch The Mystic By Luca Pizarri.
Edgar William Jacobi, also known as Moloch the Mystic, is a retired supervillain. He was a prominent enemy of both Dr. Manhattan and the Comedian in the post-Minutemen era. Moloch. Beginning his magician career as a teenager, he transitioned to crime. It is revealed in Hollis Mason's Under the Hood that he had been a frequent enemy of the Minutemen.He was part of Adrian Veidt's conspiracy to get rid of Dr. Manhattan, in which he was hired by Dimensional Developments and given cancer (unbeknownst to him).
Next up is Daryl Cox's contribution for Watchmen Week
Nite Owl II - "What happened to us...what happened to the American dream?"
Nite Owl II By Daryl Cox.
Daniel Dreiberg, a.k.a. Nite Owl II relied more upon technical wizardry and tools than toughness, which set him apart from his fellow costumed adventurers.
Still, he has demonstrated more than adequate skills when defending
himself. All of his gadgets and costumes are based on an owl theme. He
uses an owl-shaped flying vehicle nicknamed the "Owlship" or "Archie" (after Archimedes, Merlin's pet owl in The Sword in the Stone), equipped with a variety of offensive and defensive devices.
So I never contribute pictures as I can't draw! ... But I did dress up with some friends as the Watchmen a few years back!
Dr. Manhattan - Johnny Osbourne, The Comedian - Ciarán Marcantonio, Silk Spectre - Gill Dempsey, Rorschach - Darragh Rushe.
Gratuitous Comedian shot!
So that's all from us here at Nerd Invasion for Watchmen Week I hope you have enjoyed it. Stay tuned to Nerd Invasions Facebook page for updates on upcoming themes. Finally here are some interesting videos so go I'll ask this final question.
Who Watches The Watchmen?
Alan Moores Reaction to Before Watchmen Announcement - Part I
Alan Moores Reaction to Before Watchmen Announcement - Part II
Hi I'm Daryl and I like to draw so it's great to be a part of the Nerd Invasion.
As part of the Watchmen week I have drawn Nite Owl, I based his suit a little
more on the movie as there is just a lot more to it.
I really enjoyed doing this and I'm looking forward to seeing what next
on Nerd Invasion. There are some very talented creators involved
here and I always enjoy seeing the work.
I have to say, Ive never been one of those people rippin their own hair off because of how cool Watchmen is. I mean, I TOTALLY get the historic and narrative relevance of such a HUGE piece of work, but I cant help thinking that probably seeing it unfoil month after month at the time it actually came out must have been enormously more mind-blowing than reading the complete GN now. I mean, I know the reason it looks... obvious? is because basically the whole medium started lifting from it, but it DOES look a bit obvious to me nonetheless.
But then theres Moloch. Amidst the big drama, the killings investigation, the torn superhero aspect, there was this guy who once was a modest supervillain, then retired, basically kept living like you imagine your grampa would, then gets cancer and is very unceremoniously shot in the head. While Captain America or even Superman died heroically in their duty, this guy gets a deadly prostate disease and dies with his slippers and blanket still on. And thats it. I cant help but feel genuinely sorry for this guy, the Bela Lugosi of super-villainy.
Anyway, blue lead and Pentel brushpen on cheap toothy paper plus some digital shenanigans.
Here's a rough sketch of Mach 4 of Thunderbolts
